I. THE CRAFT

Every bloom holds a secret yearning to become eternal

There exists a threshold between what fades and what endures. This is where my work begins.

Each photograph captures a single moment: a rose meeting dawn, shadow deepening mystery, light making petals luminous. From that encounter to the finished print in your hands, every step honors the beauty being preserved.

These are not mere images. They are moments transformed into companions for your walls. Created with museum-quality materials. Printed by artisans who understand that craft matters. Designed to outlive us all.

Paper is not merely canvas. It is the foundation where beauty endures, where color speaks truth, where moments become legacy.

Canson® Infinity Arches® 88

Woven in France. Chosen for its soul.

This is not convenience. This is heritage, chosen for its ability to honor every gradient, every subtlety, every nuance of color that makes beauty endure.

How to Care for Fine Art Prints:
Complete Preservation Guide

The Art of Preservation

Your fine art print is created on museum-quality Canson® Arches® 88 archival paper, designed to maintain its beauty for centuries when properly cared for. These guidelines ensure your print remains as vibrant and pristine as the day it arrived.

Handling with Care

Always use clean cotton gloves when handling your print directly. Natural oils from skin transfer to archival paper and cause permanent discoloration over time. Hold prints by the edges only, supporting the full weight to prevent bending or creasing. Before unpacking your print, wash and dry your hands thoroughly if gloves are not available. Never touch the printed surface itself. When moving your print, carry it flat or support it from underneath to prevent sagging or warping. For larger prints, enlist help to ensure even support across the entire surface. The archival quality of museum-grade paper means these precautions preserve your investment for generations.

Storage Guidelines

Store your print flat in a cool, dry location away from direct sunlight and humidity. Use acid-free tissue paper or glassine as interleaving between prints if stacking. Never store prints rolled for extended periods, as this causes permanent curl and potential cracking along fold lines. Archive boxes made from acid-free materials provide ideal long-term storage. Keep prints away from attics, basements, and areas with temperature fluctuations. Avoid storing prints near heating vents, windows, or exterior walls where condensation might occur. For valuable or particularly meaningful prints, climate-controlled storage maintains consistent conditions year-round. When transporting prints, use rigid backing boards to prevent bending and protect corners with acid-free corner protectors.

Creating the Right Environment

Fine art prints thrive in stable environments. Maintain indoor humidity between 40-50% to prevent paper expansion or contraction. Temperature should remain between 65-75°F (18-24°C) with minimal fluctuation. Direct sunlight fades any print over time, regardless of paper quality. Position your artwork away from windows or use UV-filtering window film. Indirect natural light or quality artificial lighting allows you to enjoy your print without accelerating degradation. Track lighting, picture lights, or ambient room lighting work well for display. Avoid hanging prints above radiators, fireplaces, or in bathrooms where steam and temperature swings occur. Air circulation prevents moisture buildup but avoid placing prints directly in front of heating or cooling vents. These conditions preserve the archival integrity of museum-quality paper and maintain color accuracy for centuries.

Framing Requirements

Museum-quality framing protects your investment and enhances its presentation. Always use UV-filtering glass or acrylic glazing to block 99% of harmful ultraviolet light. Ensure the glass does not touch the print surface by using spacers or matting that creates a gap between glass and paper. Acid-free mats and backing boards prevent chemical migration that causes yellowing. Never use standard cardboard, foam core, or non-archival materials in contact with your print. Conservation mounting techniques allow for print removal without damage if needed in the future. Sealed backing prevents dust, insects, and environmental contaminants from reaching your print from behind. Professional framers experienced with fine art understand these requirements and source appropriate materials. While frameless presentation is acceptable for temporary display, long-term preservation requires proper framing protection. The investment in archival framing equals the importance of the artwork itself.

Maintaining Your Collection

Once properly framed and displayed, your print requires minimal maintenance. Dust the glass surface gently with a soft, lint-free cloth or use compressed air to remove particles without touching the surface. Never spray cleaning products directly on the glass. Instead, lightly dampen your cloth with water or glass cleaner and wipe carefully. Inspect your print annually for signs of foxing, fading, or moisture damage. Early detection allows for professional conservation if needed. Keep records of your print including edition number, purchase date, and any certificates of authenticity. Photograph your collection for insurance purposes and store documentation separately from the artwork. If you notice changes in color, paper texture, or see spots developing, consult a professional art conservator immediately. Small issues addressed early prevent costly restoration later. Museums preserve prints for centuries using these same principles, and your fine art photography deserves the same level of care.

What Not to Do

Never use adhesive tape, glue, or pins directly on your print. These cause permanent damage and destroy resale value. Avoid DIY framing with materials from craft stores, as they rarely meet archival standards. Do not display prints in direct sunlight, even for short periods. Do not store prints in plastic bags or non-archival sleeves, as they trap moisture and promote mold growth. Never hang prints in bathrooms, kitchens, or other high-humidity areas regardless of framing quality. Avoid touching the printed surface, even after framing, as oils transfer through minor gaps. Do not lean objects against your print or stack items on top of stored prints. Resist the urge to "clean" the print surface itself. Any intervention should come from professional conservators only. Do not ignore condensation, water damage, or visible mold, as these require immediate professional assessment. Do not assume that because paper feels sturdy it can withstand rough handling. Archival paper is resilient but not indestructible. Taking these precautions seriously means your fine art print becomes a lasting legacy rather than a temporary decoration.

These care practices transform your fine art print from a beautiful object into a preserved treasure. Museum-quality archival paper provides the foundation, but proper handling, storage, framing, and display ensure your print maintains its original beauty indefinitely. When you invest in preservation today, you protect your collection for tomorrow and generations beyond.

III. THE CARE

Receiving Your Print

For Large Format Prints (16×20, 18×24):

Your print arrives rolled in glassine paper inside a protective tube. Put on the cotton gloves included. Unseal carefully. Unroll on a clean surface with soft light, allowing the paper to breathe and settle after its journey.

If you're ready to frame, proceed with care. If a framer awaits, keep your print safely in its tube until that time.

For Medium Prints (8×10):

Open the book box carefully. Your print rests flat within, protected and patient. If your frame is ready, lift it free with attention. If not, allow it to remain protected until the moment arrives.

For Small Prints (5×7):

Untie the ribbon. Reveal the prints within. For gifting, slip them into the provided envelopes. For keeping, let them rest in their handmade home until ready to be framed or shared.

When You're Ready

There is no pressure dwelling in these works. No urgency in these petals.

This is an invitation to explore at your own pace. To let yourself be drawn to the piece that resonates, that feels less like a choice and more like recognition.

Take the time you need. Wander through the collection as you would through a garden at dusk. When a bloom speaks to you—when it calls to something true within—you'll know.

Should questions arise about framing, sizing, or anything at all, I'm here. Connecting with collectors who understand the language of flowers brings me joy.